Coloration Techniques
Diversifying timbre through nuanced physical interaction
C1. Harmonics
C1.2. Harmonics at compound 3rd, 5th and other intervals
C1.3. Arpeggio ending in Harmonic
C2. Playing at Various String Regions
C2.1. PDLT (près de la table) - close to soundboard
C2.2. BDLC (bas dans les cordes) - lower on the string
C2.3. HDLC (haut dans les cordes) - higher on the string
C2.4. Transitions between String Regions
C3. Continuous Rearticulation Techniques (Trill, Tremolo, Bisbigliando)
C5. Nail Techniques for Coloration
C5.2. Additional Nail Techniques for Coloration
C5.2.2. Vertical Nail Bisbigliando
C6. Xylophonic Effects
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C1.1. Harmonics at 8ve
C1.2. Harmonics at compound 3rd, 5th and other intervals
C1.3 Arpeggio ending in Harmonic
C1.4 Chordal Harmonics
C1.5 Muffled Harmonics
C2.1. PDLT (près de la table) - close to soundboard
C2.2. BDLC (bas dans les cordes) - lower on the string
C2.3. HDLC (haut dans les cordes) - higher on the string
C2.4. Transitions between String Regions
C3. Continuous Rearticulation Techniques (Trill, Tremolo, Bisbigliando)
C4. Pinched Pluck
C5.1. Nail Plucking
C5.2.1. Nail Buzz
C5.2.2. Vertical Nail Bisbigliando
C6.1. Xylo Effect (ord.)
C6.2. Muted Xylo Effect
C7. Vibrato Effect