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      <image:title>Blog - Playing two harp parts on one harp? (Debussy’s Prelude to the Afternoon of a Faun) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64892c8f32a80e5495f9d1c3/995ac8cb-a7b1-400d-b1ac-b46ad1592e8b/Prelude+1.png</image:loc>
      <image:title>Blog - Playing two harp parts on one harp? (Debussy’s Prelude to the Afternoon of a Faun) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/64892c8f32a80e5495f9d1c3/e59ea6df-d8b2-49aa-b9e5-dcced43f845e/Prelude+2.png</image:loc>
      <image:title>Blog - Playing two harp parts on one harp? (Debussy’s Prelude to the Afternoon of a Faun) - Toujours anime</image:title>
      <image:caption>The good thing about l’après midi d’un faune is that the two parts can be combined quite reasonable, since the harp parts are mostly doubling or dovetailing. The only tricky section was at Toujours animé, where Debussy writes two distinctly different parts! However, a nice work around was taking the treble line from Harp 1 and the bass line from Harp 2. I had no qualms removing the octaves in Harp 2, because the strings are also playing the exact same line during this section. Additionally, if the coordination is too tricky for the harpist, the lower LH part can be omitted.</image:caption>
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      <image:title>Blog - My “Harp Writing for Composers” Workshop - Writing for the Harp</image:title>
      <image:caption>Who better than composers to write more music for harp?  Harpists often say that we have not enough repertoire. I too, am constantly on the hunt for the next new non-harpy harp music so there is absolutely a need for more composers to write music for us ✍ That’s why one of my passions is working with composers and conducting workshops to teach them more about this mysterious instrument. I’ve conducted this workshop for composers a couple of times now. My intention is always to help them better understand the harp as an instrument, some basics of writing for us and gain some ideas from our extensive techniques.</image:caption>
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      <image:title>Blog - My “Harp Writing for Composers” Workshop</image:title>
      <image:caption>I honestly just want new funky pieces for harp and if these workshops could do just that, it would be absolutely amazing</image:caption>
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